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  • Postcards from a Production in India #2

    So, all the filmmakers are off filming cars in Kolkata, borders in West Bengal, dancers in Delhi and much more. Shruti, the Indian PM and I, are busy sourcing suitable crew and equipment, organising permissions and travel arrangements and finding ways to stick to the limited budget.

    One director had to ‘present a gift’ to a border guard in order to film (she was too polite to call it a bribe) but it leaves me musing over how best to account for bribes in the production budget!

    As glaconman says this is a country of contrasts which makes it so exciting and yet sometimes frustrating, but now in the middle of production I am enjoying the excitement and the pace of life as well as the odd trip to a South Delhi bar or to a wedding party in Old Delhi.

    Saswati – All the 8 films are already in production so there is no room for films about Tripura in this production but I would love to hear more about your state and any documentary ideas you have or are working on at the moment.

  • Postcards from a production in India

    I am currently in India working on the production of 8 short documentaries made by new and emerging Indian filmmakers. All of the films are themed around independence to celebrate the 60th anniversary of Indian Independence from British rule that will fall on 15th August 2007.


    We have just held a four-day workshop at the British Council in Delhi for the 8 selected filmmakers that has given them an opportunity to work on their films and learn about the requirements of UK broadcast. The sessions have gone really well and have given filmmakers from all corners of the country; from Bangalore, Delhi, Kolkata and Uttar Pradesh the chance to meet and discuss their work.
     

    So, some observations about working on documentaries here in Delhi…Union regulation in India requires camera, sound and lighting kits to be rented with attendants, which along with assistants and operators can easily push crew size into double figures. This is vastly different to working in the UK where directors are, in the main, encouraged act as multi-skilling taskhorses. It also creates difficulties in limiting obtrusiveness which may not affect a big Bollywood production but is something that documentary filmmakers are very sensitive to. These are just some of the differences that we have to work around in order to get the films made in an appropriate manner and stay within budget. Luckily we are working in partnership with an Indian production company who are able to work around our needs and there have been few outlandish requests from the filmmakers. (However I did have to deny one filmmaker of a production assistant to work solely on gaining permissions for one three-minute film.)

     

    Which leads me to the wonderful world of Indian bureaucracy that makes permissions to film in numerous public locations a rather arduous task. Despite having the correct forms printed in triplicate, numerous phone calls and leaving a number of weeks to contact the Ministry of Defence or the Architectural Survey of India has left us waiting until the last minute for final access permissions.

     

    I hope I don’t sound too jaded by putting these observations first because Delhi is an exciting, buzzing, dusty capital which is always on the move. There are fascinating scenes of daily life at every corner and the Delhiites are friendly and accommodating. A whizz round in an auto-rikshaw will leave you with numerous images and glimpses of stories that inspire or shock (as well as white knuckles!).

     

    To be continued…

  • Deep Water - New British Documentary

    Last week I was lucky enough to be invited to the cast and crew screening of a stunning documentary feature Deep Water and thought I’d let you know about a brand new British doc that is going to be making it onto the big screen this winter.

    Deep Water tells the story of Donald Crowhurst, his family and the disastrous events of the 1968 Sunday Times Golden Globe Race; a single-handed, non-stop, round-the-world yacht race. The directors, Louise Osmond and Jerry Rothwell, were able to stick to their guns and make a doc without reconstructions by using some astonishing archive footage, interviews and spectacular aerial and underwater shots.

    These elements are superbly edited together to create an engaging and personal record of Crowhurt's doomed voyage. Super 8 clips filmed by the Crowhurst and other contestants, Robin Knox-Johnston and Bernard Moitessier, give us a glimpse of the solitary life at sea whilst Crowhurst’s video-log of his voyage is used as a haunting reminder of the public performance his mission became.

    However it is Crowhurst’s writing that is the basis for some of the most shocking material and the most innovative documentary making. First class graphics designed by Mainframe conjure up Crowhurst’s words, poems, quotations, real and fake log entries, and increasingly illogical thoughts. Beautiful widescreen shots of the sea and the bottom of the boat create a feeling of foreboding and evoke the enchanting yet perilous qualities of the sea.

    Made with the participation of the Crowhurst family and friends as well as the families of the other participants in the race the interviews make for emotive yet insightful viewing and help move the narrative along.

    As a self confessed landlubber it is hard to comprehend jumping on a boat to do a solo trip of the globe, but as a friend of mine commented anyone who has told a white lie that has grown rapidly out of proportion can relate to the crazy circumstances that Crowhurst finds himself in.

    This is a high-tension movie with moments for light relief in the shape of French philosopher Moitessier with his philosophy of sailing and the larger-than-life ruthless fleet street journalist that spins tall tales about Crowhurst, his voyage and records broken by the amateur sailor.

    Deep Water is extremely well crafted, looks great on the big screen and is expecting a UK theatrical release before the end of the year.

  • Munich Lights

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  • Some of my work

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